Friday, April 29, 2011

Looking For Alaska Passages


My favorite: "I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was hurricane." 

"Those awful things are survivable, because we are as indestructible as we believe ourselves to be. When adults say, 'Teenagers think they are invincible' with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of parts cannot begin and cannot end, and so it cannot fail."

"He was gone, and I did not have time to tell him what I had just now realized: that I forgave him, and that she forgave us, and that we had to forgive to survive in the labyrinth. There were so many of us who would have to live with things done and things left undone that day. Things that did not go right, things that seemed okay at the time because we could not see the future. If only we could see the endless string of consequences that result from our smallest actions. But we can’t know better until knowing better is useless. And as I walked back to give Takumi’s note to the Colonel, I saw that I would never know. I would never know her well enough to know her thoughts in those last minutes, would never know if she left us on purpose. But the not-knowing would not keep me from caring, and I would always love Alaska Young, my crooked neighbor, with all my crooked heart." 

"What is an "instant" death anyway? How long is an instant? Is it one second? Ten? The pain of those seconds must have been awful as her heart burst and her lungs collapsed and there was no air and no blood to her brain and only raw panic. What the hell is instant? Nothing is instant. Instant rice takes five minutes, instant pudding an hour. I doubt that an instant of blinding pain feels particularly instantaneous." 

"She said, 'It's not life of death, the labyrinth.' 
'Um, okay. So what is it?' 
'Suffering,' she said. 'Doing wrong and having wrong things happen to you. That's the problem. Bolivar was talking about the pain, not about the living or dying. How do you get out of the labyrinth of suffering?...Nothing's wrong. But there's always suffering, Pudge. Homework or malaria or having a boyfriend who lives far away when there's a good-looking boy lying next to you. Suffering is universal. It'st the one thing Buddhists, Christians, and Muslims are all worried about." 


And one of my favorite parts of Paper Towns:
"When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that, we were just looking at ideas of each other, like looking at your window shade but never seeing inside. But once the vessel cracks, the light can get in. The light can get out." 

John Green said this...


The books are really and truly fictional. I'm fascinated by the way the contemporary world has constructed this manic pixie dream girl (to use a term coined by Nathan Rabin) who flutters into the lives of men and changes them forever with her moodiness and mystery. This idea has become the kind of female Edward Cullen, and I am of course drawn to it myself but also really troubled by it, because I think it's just a new kind of objectification of women. So I think I wrote about that in Paper Towns not because I saw it in my own life but because I saw it in my first novel, Looking for Alaska, and because in the years after writing that story, I became more and more troubled by the book's failure to point out that, like, the idea of the manic pixie dream girl is not just a lie but a dangerous one that does disservice both to the person doing the imagining and the person being imagined.

Monday, February 14, 2011

Stardate: 64586.6


Is in necessary to make bad choices?

Everyone makes bad choices during High School.
Kids drink, lie, cheat, have sex.  They don’t do the right thing.
Then later, when they’ve gotten old and wise, they don’t make those bad choices.
But what if you never do make those choices?
What if you go through High School only spending time on homework, avoiding all social gatherings that could lead to awkward moments or bad decisions? 
Where is the mile marker in that?
What do I have to look back upon?

Saturday, February 5, 2011

Stardate: 64562

Today I came to an interesting conclusion: I need to be logical.

Logically, I should do my homework before other things.
Logically, I should read more books.
Logically, I should be more productive.
Logically, I should be healthier.

Second conclusion:

Your body is a sort of Pandora's box that holds your soul.  When you find someone, you give them your box.  It is similar to the concept of giving someone the key to your heart; except in this metaphor, you are giving them the actual object that that key would unlock.  Logically, one would want to give the most beautiful box to that person to show one's gratitude.